Apparently, TV in the UK is ‘failing to represent society‘. This is problematic for me for a couple of reasons:
- For the most part, TV programming in the UK appeals to those with the lowest artistic and intellectual capacity. The schedules are crammed so full of utter tripe that the whole nation comes to a standstill just to watch people baking cakes during prime time. When did we all get so dumb?
- If you are part of an under-represented demographic, do you really want to be a part of the above? Do you need to swim in that stream of steaming effluent? Will adding another shade of skin to the dispiriting catalogue of crap that is fed through our TV tubes enrich your community?
Surely you’ll just be sucked into the mire with the rest of the loons who are content that Chris Evans and Claudia Winkleman earn what they do for just turning up.
You’re best off staying clear of the whole miasma…
So, George A. Romero and Martin Landau both gone within a day or so of each other: the former played a big part in my teenage years as a horror movie fan, with Night of the Living Dead, Dawn of the Dead, Day of the Dead, and Creepshow among others. All were VHS staples in my house, and all were probably well worn out by the time I got to replace them on DVD.
The latter was a hero earlier in my childhood as Commander Koenig in my favourite childhood sci-fi TV show (apart from Doctor Who), Space 1999.
Landau of course, won an Oscar for his betrayal of another of my heroes, Bela Lugosi, in Ed Wood.
Zombies and sci-fi – there goes my youth!
The writer and director of Bitter Lake has a new film that looks even more interesting and disturbing in equal measures:
“HyperNormalisation tells the extraordinary story of how we got to this strange time of great uncertainty and confusion – where those who are supposed to be in power are paralysed – and have no idea what to do. And, where events keep happening that seem inexplicable and out of control – from Donald Trump to Brexit, the War in Syria, the endless migrant crisis, and random bomb attacks. It explains not only why these chaotic events are happening – but also why we, and our politicians, cannot understand them.”
I’m not naive enough to think that a show on a commercial TV channel can ever be truly subversive, but Mr. Robot certainly struck a chord with me. As someone who wants to throw paint at every perfect face staring out from the myriad adverts that line my daily commute, I have real sympathy for the anti-hero, Elliot. He’s a cyber-security specialist and hacker, with severe social anxiety. But his distance from most people means that he sees our commercially driven society for the sham that it truly is, and is determined to do something about it:
“Is it that, we collectively thought that, Steve Jobs was a great man? Even when we knew he made billions off the backs of children. Or maybe it’s that it feels like all our heroes are counterfeit. The world itself is just one big hoax. Spamming each other with our commentary bullshit masquerading as insight. Our social media faking us into intimacy, or is that we voted for this? Not with our rigged elections, but with our things, our property, our money. I’m not saying anything new, we all know why we do this. Not because Hunger games books makes us happy, but because we want to be sedated. Because it’s painful not to pretend, because we’re cowards. Fuck Society.”
I’m five episodes in to the series and looking forward to the rest. Not sure when this is showing in the UK – I had to use ‘alternative’ means to watch it. But then, this felt perfectly in keeping with the counter-cultural theme of the show!
Watched this on-demand last night, Best of Enemies – a hugely enjoyable documentary on the rivalry between William F. Buckley Jr. and Gore Vidal.