Chaz I

I took a day off and spent the late morning at the Royal Academy of Art’s Charles I: King and Collector exhibition.

IMG_20180226_111131

You can read the reviews for yourself and I’m no art historian, but suffice to say that it’s an incredible collection. And, whatever the political and historical narrative of the fall of Charles I, there’s something incredible poignant about seeing him with his family in Van Dyke’s paintings. Indeed, the most striking thing is the initial confrontation with the king in his Charles I in Three Positions, which is the portrait that greets you as you enter.

1024px-Sir_Anthony_Van_Dyck_-_Charles_I_(1600-49)_-_Google_Art_Project

It’s hung so that he’s slightly above eye-level and has the effect of making you feel as if he’s looking at you accusingly. You are after all about to walk around with the rest of the common folk and peer at his beloved art collection.

The guilt is only fleeting though. The anticipation of so many Holbeins, Titians, Rembrandts, Reubens and Gentileschis (to name but a few) in such close proximity for the first time in over 300 years is inclined to make you forget your manners and traipse on through…

Today I am Dr. Gachet…

Dr_Gachet

“I’ve done the portrait of Mr Gachet with an expression of melancholy which might often appear to be a grimace to those looking at the canvas. And yet that’s what should be painted, because then one can realize, compared to the calm ancient portraits, how much expression there is in our present-day heads, and passion and something like waiting and a shout. Sad but gentle but clear and intelligent, that’s how many portraits should be done, that would still have a certain effect on people at times.”

Vincent van Gogh